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When invited to the final rehearsal for ANNA 11/M, I was particularly curious about the creative direction of the costumes, signed by Celebrity Skin. The results had me all excited. The duo known for it's extravagant, saturated gowns managed to tone down their style and adjust it to roles that are tragic rather than glamorous. Celebrity Skin explain the work paths they went down to dress characters such as protesters, everyday women and a nurse.
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We decided to exaggerate this by switching the t-shirts for long, rectangular tops made from raw white fabric, with oversized angular shoulders semiologically resembling protest signs. We applied the paint in the same manner the original protesters did, passionately and messy".
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Next to her at the waiting room is the wife of a Romanian immigrant. We walked the neighbourhoods of immigrants in Athens, watched how they dress. Those people are hard-working, poor people. They cannot afford style but they are not concerned about it either, they have greater worries. Their clothes were mainly mis-matched and out of date and we followed this pattern".
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The nurse accompanying her is dressed after research too. Seriously. We visited hospitals in Athens just to see what nurses wear during night shifts! We surprisingly noticed a pattern: white unbottoned robes, tight dresses, skin colour tights and cheap plastic shoes. It was like a uniform, we even asked them what their shoes were and went for them!"
Overall, Celebrity Skin didn't aim to adjust the characters to their aesthetics, but adjust their style to the needs of each role. It was all designed to support the plot and that took hours of reading the script and watching how the actresses move during the rehearsals. Well, I must say it paid off!
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